Digging deep in to the darkest corners of our mind, Brisbane’s Palace 9 bring up masterful melodies and stimulating narrative to breathe life in to inner fantasy world, which has given birth to their debut single, ‘Paradise’.
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Children Collide return to the Sunshine Coast as part of their 13-date headline tour throughout March and April, hitting Eleven Dive Bar on April 9, in support of their fourth studio album, ‘Time Itself’. The time is now…
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Melbourne alt-rockers The Ugly Kings are making their way through Australia on a hectic nine-date tour in support of their latest album, ‘Strange, Strange Times’. The tour, their first since 2019, and also now under European label Napalm Records, will have the four-piece make their way through Victoria, New South Wales, and in to Queensland, with a stop at Solbar on April 22.
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Brisbane indie folk/pop songstress, Maisy Taylor has been enchanting audiences across the country with a sound and charm that is unequivocally hers, and she now has released her latest single, ‘Be My Baby’.
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Brisbane’s unholy trinity of punk/grunge, BLUSSH have offered up their first single from their forthcoming EP, which is drenched in massive 90s alt/punk/grunge charisma. ‘Glamour’ packages thick, heavy guitars, pumped up bass lines, solid drums, and a rage-filled vocal into one epic single.
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Sunshine Coast producer/songwriter Alvy Willa shares his first release for 2022 in the shape of electro-pop single, ‘Let Her’.
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Following up the success of ‘How Does It Feel?’, Sunshine Coast songwriter LUUNG doubles up and brings a two-single release in ‘Coast to Coast’ + ‘Sky’s Still Here’.
The artist’s DIY prowess shines through his songwriting, production, mixing, mastering and more, which has earned praise and attention from local collaborators and international interest.
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Sunshine Coast singer/songwriter Ant Syms debuts his solo outing with his first single, ‘Breathe With Me’; a richly organic-sounding modern piano waltz that pleads for you to be in the moment.
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Sunshine Coast multi-instrumentalist and producer, Zero Theory follows up on 2020’s ‘Arrival’ album with the brand new EP, ‘Duality’, which explores sectors of Psydub, Downtempo, and heavy Bass.
‘Duality’ is heavily immersive. As with this style of music, it’s heavily textured which often scratches that audio itch.
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Caboolture’s merry men of alt rock, Interism have offered up their latest EP, ‘3 Piece Feed’ - three killer tracks of tasty, fried Australian alternative grunge punk, ready for consumption.
Interism have been purveyors of nostalgic alternative rock, particularly that with a 90s Australian alt tone, for some time, and ‘3 Piece Feed’ is an extension of their previous offerings (the single, ‘Honestly’, and the full length album, ‘Avondale St’). There’s nothing over-cooked in this sonic meal, stripping it back to guitar(s), drums, bass and vocals. It’s pure volume, sweat and good ol’ mosh-ready grunge-y punk rock in the vein of Bodyjar, NOFX, and Gyroscope.
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Sunshine Coast’s Shen Panthers have had enough of 2022 already, and have opened a can of whoop-ass in the guise of their new single, ‘Psychedelic Alleyway’ - a 6 minute and 18 second mammoth journey that is free for the taking.
In an age of heavy music consumption and two-minute tracks, it’s not often a single hits the 6 minute plus bracket, but Shen Panthers shun the trend and have delivered their own epic in ‘Psychedelic Alleyway’.
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Brisbane’s heavy alt-rock kids, Lunchtime are now all grown up, celebrating six years together with their first single of 2022, the hard-hitting grunge epic, ‘Wait’, which we are premiering here on The Point ahead of its March 5th release.
‘Wait’ hits hard, with a wall of guitars that closes in on you faster than a trash compactor on the Death Star.
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Sunshine Coast-Brisbane nu-grunge wünderkinds, Wetlands are back and slapping 2022 around the face with their fierce, catchy new single, ‘You Left Your Empty Drink In My Car’, which we are premiering on The Point today.
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Australia is a hot-bed of indie reggae acts that have a distinctive sound, much like So-Cal, or NZ reggae have their own, and you can add Brisbane’s Lucid Safari to the list of talent, coming out swinging with their debut EP, ‘Delirum’.
Already attracting the ears of radio, both nationally and in the US with singles ‘Lady’ and ‘Liquid Dreams’, Lucid Safari - the project for songwriter Daniel J Lewis and his roster of local musicians - display a level of musical maturity that generally takes a few years on the live circuit to solidify.
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Brisbane’s quirky and dynamic duo, JUNO, mark their return with a tonque-in-cheek techno-coloured indie-pop sophomore single, ‘All The Kids’, which is out today.
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Brisbane-via-Townsville singer/songwriter, Honeychurch packs up his punk influences, and shoves them in to one huge-sounding new power-pop single, ‘Normal Problems’, which is out now.
‘Normal Problems’ comes across like Tim Freedman from The Whitlams deciding to randomly jam with the guys from Airbourne. As ridiculous as a description this is, it bloody well works.
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The last year and a half has been tumultuous for most live acts to say the least. Fight Ibis is no exception, with a full lineup change, personal breakups, tour cancellations, lost recording sessions and more.
The band sees themselves back on track, with a brand new single, ‘American Android’ and an accompanying set of dates in support of the release.
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Brisbane indie-pop songstress, Lucy Korts is fast becoming known for her intense vulnerability, enchanting vocals and empowering aura, and with her latest single, ‘Gone’ shows a fearless approach to songwriting paired with powerful, emotionally-ripe deliveries.
Moody, dark, and synth-drenched pop, ‘Gone’ puts the musical weight on your chest, with a deep heartbeat kick, and reversing synth strings, but over the low rumble of bass, there is a breath, with Lucy’s vocals shifting from heartbreak, to resolution and light. It’s powerful, and releasing, and hits right in the feels.
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