Brisbane-via-Townsville singer/songwriter, Honeychurch packs up his punk influences, and shoves them in to one huge-sounding new power-pop single, ‘Normal Problems’, which is out now.
‘Normal Problems’ comes across like Tim Freedman from The Whitlams deciding to randomly jam with the guys from Airbourne. As ridiculous as a description this is, it bloody well works.
Read MoreIn the lead up to the release of their debut album later this month, Sydney’s fuzzed-out post-punk trio, oWo have offered-up the first single (and title track), ‘Super Role Model’.
‘Super Role Model’ is a scuzzy, fuzzed-out swagger, with a bass line that sounds like it’s looking for a fight. The drums have a slacker feel, but aggressively so, and the panned, delayed guitar adds plenty of eerie menace to the track. It’s the vocals, with hardly any effort, that give ‘Super Role Model’ the who-gives-a-fuck vibe. It’s a sound that used to be at the forefront of Australian Alt Rock in the 90s, and it deserves a comeback to the fold.
Read MoreThe last year and a half has been tumultuous for most live acts to say the least. Fight Ibis is no exception, with a full lineup change, personal breakups, tour cancellations, lost recording sessions and more.
The band sees themselves back on track, with a brand new single, ‘American Android’ and an accompanying set of dates in support of the release.
Read MorePropelled by a fierce devotion to create vibrant sonic experiences that reflect a special appreciation for UK-influenced indie/ pop/ RnB and neo-soul, Melbourne singer-songwriter Hannah Wilson has released her electrifying new single ‘Shame’ .
‘Shame’ employs classic early 2000’s UK RnB beats, mixing in soft synths and muted guitars that just bubble under the surface, letting Hannah’s almost-breathy vocal delivery stand out.
Read MoreSydney-based Indie Pop star, Morgan Houston brings an empowering pop anthem in her new infectious single, ‘Shower Talk’. Heavy on the sparkling synths, it is a track written for those trying to navigate their way through the messy world of dating.
Read MoreNewcastle’s Vilify set the scene of pure frustration and anger at the hypocrisy all of us in the music industry have been witnessing, with their heavy, brand new single, ‘Veils of Grey’.
Read MoreBrisbane indie-pop songstress, Lucy Korts is fast becoming known for her intense vulnerability, enchanting vocals and empowering aura, and with her latest single, ‘Gone’ shows a fearless approach to songwriting paired with powerful, emotionally-ripe deliveries.
Moody, dark, and synth-drenched pop, ‘Gone’ puts the musical weight on your chest, with a deep heartbeat kick, and reversing synth strings, but over the low rumble of bass, there is a breath, with Lucy’s vocals shifting from heartbreak, to resolution and light. It’s powerful, and releasing, and hits right in the feels.
Read MoreAdelaide metalcore legends, The Daily Chase mark their return with a hefty new single, ‘Lotusland’, which also is the first taste of their forthcoming EP, ‘The Colour of Crisis’.
‘Lotusland’ adopts synth and drum’n’bass in to their sound, before hitting with an ominous riff and face-melting screams from vocalist Rory Cuthell. There’s elements of nu-metal sneaking in with pitch-shifted vocals, creepy keys, and one hell of a fat groove, before a dirty breakdown sledgehammers its way in to the track. It’s dark, menacing and brings the devil horns straight up.
Read MoreSydney five-piece indie outfit, Buffalo Paradise suck in all the summery surf rock vibes, wrap them in a neat package, and serve them up as their sophomore single, ‘Promises’.
‘Promises’ has this weird blend of 80s-era Mental As Anything-meets-The Kooks sound happening; it manages to sound current (like a lot of vibing surf-indie-rock) while simultaneously sounding nostalgically Australian. It’s a sunset soundtrack on the beach, with bright guitars, smooth bass, pop drums, and organs coming together to lay the bed for the accent-blending vocal delivery that just works.
Read MoreBrisbane’s alt-rock/pop-punkers Tragic Me have been drip-feeding single after single, which now, with the release of their latest single, ‘Sorry’, all culminates in the four-track EP, ‘OVERTHOUGHT’.
Full of classic early 2000s pop-punk/emo tropes, from the sparkling keys, and dueting vocals, to the changes from epic alt-rock movements to punk beats, the track delivers a melancholy tale in contrast to its upbeat sound.
Read MoreIt’s becoming a rare occurrence to see a sizeable live music event on the Sunshine Coast in these strange times we’re transitioning through, but, after a few false starts, Jynx House: Amplified will be going full steam ahead on February 12th at the Coolum Football Club.
Perseverance is key, and the JH:A team have pulled together a stellar line-up of fave acts and killer DJs, including headliners The Jungle Giants, fresh off the back of their first-ever ARIA #1 for their new LP, ‘Love Signs’. This will be the first opportunity for Sunny Coast fans to see the new songs, live in action.
Read MoreThere’s been a lot of buzz building in the metal community over Perth metalcore outfit, Patient Sixty-Seven, and they’re backing up this hype with brand new single, ‘Scattered’.
‘Scattered’ hits hard straight away, with vocalist Tom Kiely purging so much aggression and emotion from the get-go, while shifting in to a more melodic mode for the chorus. The riffing bounces between gut-punches to intricate soaring, with bigger breakdowns than a crypto-bro defending Bitcoin.
Read MoreQueensland-based singer/songwriter Hello Jane returns with her first release for 2022, the super-sweet single, ‘Never Alone’, as well as announcing a string of shows in support of the release across QLD and NSW.
‘Never Alone’s lush, warm acoustic tones help enhance Hello Jane’s soft-yet-confident vocal melody, which instantly gives a feeling of comfort. It’s easy to sink in to the track, and as the title (and chorus hook) dictates, feel never alone, at least for three and a half minutes.
Read MoreIt’s time to hand over the aux cord to Gold Coast rapper/singer/songwriter, Lemaire, as he shifts gear in to 2022 with his fat, brand new groove, ‘Ford Laser’.
Starting off like you’re trying to crank up the tune with the sticky volume knob, ‘Ford Laser’ teases with a build, but eases in with Lemaire’s rounded flow and chunky, bouncing bass and beat combo.
Read MoreElectronic artist DÉ SAINT has released her new electro single “Zephyr” (radio edit). A powerful melodic tech house pop track with a hooky vocal creating an eerie yet vibe filled energy. Also released today is the club record which includes 2 two official remixes of “Zephyr” by Tara Bloom and Greater Than Us. alongside DÉ SAINT’s original mix. Earlier this week (in pre release) the track stormed in at #6 on the ARIA Club Charts.
Read MoreThe Sunny Coast’s agents of groove and funk, In2nationN have risen from a musical slumber, emerging with a full-pelt fun ska/funk track in ‘Life’.
Not ones to shy away from their tried-and -true funk formula, ‘Life’ sees vocalist Michael Wallace utilising his rhythmic flows to full extent, backed by guitar skanks, a full, fat bass line, infectious and intricate beats from the percussive duo of Brett Lanes and Sean Keenan, and a soulful-yet-blasting horn line.
Read MoreBrisbane/Meanjin dream-pop duo Sunbather return with a new single, ‘Holiday’. Recorded by Aidan Hogg (Jaguar Jonze, Holy Holy) the new song showcases the band’s knack for introspective indie rock with shoegaze-inspired overtones.
Read MoreRevving with passion, sophistication and a pure rock ‘n’ roll power, Perth's Big Orange is accelerating into 2022 with winning new single ‘By The Dozen’.
Known for bringing driving alt-rock energy tinged with a humble hit of modern pop, Big Orange is the project of Daniel Davis that expands with the talents of his lifelong friends to create the full-band live show.
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